I'm hoping to get some advice from the PG gurus on here about my frontstage. A few of you that have seen some of my previous posts know that I've been working on my frontstage for a few months now. I have a Soundstream Class A 6.0 and originally planned to have a total of two running my components but am having a hard time finding one. I have a Picasso that I'm not using that I could implement. So how would you run it? This is a 3-way Eurosport setup. Here's some thoughts I have...
Picasso bridged at 100x2 to the 4" and tweeter and the 6.0 dedicated to the ES-6 midbass.
or
6.0 running the 4" and tweeters and the picasso bridged to the midbass speakers.
I'll be keeping my current sub amp because I really love it! (Arc Audio 2500 CXL).
Any ideas??? thoughts?
A little advice on my frontstage
- ShockTherapy
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A little advice on my frontstage
Clarion DRZ-9255
JL HD 900/5
Zapco Z300
JBL MS-8
Dynaudio MW160 (midbass)
Audible Physics XR3m (mid)
Morel MT23 (high)
Morel 5c (Rearfill)
Morel Ultimo SC12
JL HD 900/5
Zapco Z300
JBL MS-8
Dynaudio MW160 (midbass)
Audible Physics XR3m (mid)
Morel MT23 (high)
Morel 5c (Rearfill)
Morel Ultimo SC12
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- ShockTherapy
- Posts: 693
- Joined: Fri Dec 04, 2009 7:06 am
- Location: University Place
shaheen wrote:Class A on the mid and tweeter with the picasso on the midbass.
Is there a reason I should run it this way? advantages? The 6.0 is rated at 50x2 but I've heard that it's more like 125x2. and the Picasso would put out 100x2 bridged. I read on a few of the forums that the 6.0 really shines on tweeters. hmm, ok. I will try it this way... I'll actually most likely try it both ways to see what works best in my application.
Clarion DRZ-9255
JL HD 900/5
Zapco Z300
JBL MS-8
Dynaudio MW160 (midbass)
Audible Physics XR3m (mid)
Morel MT23 (high)
Morel 5c (Rearfill)
Morel Ultimo SC12
JL HD 900/5
Zapco Z300
JBL MS-8
Dynaudio MW160 (midbass)
Audible Physics XR3m (mid)
Morel MT23 (high)
Morel 5c (Rearfill)
Morel Ultimo SC12